
Lost Judgment Review | Like a Dragon: Infinite Wealth Review Coming Soon |
Lost Judgment Review | Like a Dragon: Infinite Wealth Review Coming Soon |
Yakuza 6: The Song of Life was the conclusion of the Kiryu saga, and the last time the series used the Yakuza name in the West without using its Japanese name, Like a Dragon. It is also the last mainline game in the series to be an action role-playing game, with the series switching to turn-based role-playing game mechanics in succeeding entries. As a send off to both the character of Kazuma Kiryu and the game play of which the series has become known, it had large shoes to fill. It managed to do so, for the most part.
Ryu Ga Gotoku Studio released Yakuza 6 with only one protagonist. With Yakuza 4 containing four playable characters, Yakuza 5 including five, and even Yakuza 7 containing seven, it seemed odd that Yakuza 6 would only include Kiryu. However, the staff wanted to focus solely on Kiryu to give his current story some closure. Even with the lack of playable versions of the fan favorite characters that were playable in previous games such as Goro Majima, Taigo Saejima, and Shun Akiyama, the game still gave its lone protagonist a lot to do.
In Yakuza 6, Kiryu and his adopted daughter Haruka deal with the fallout caused by their actions in Yakuza 5. Kiryu discovers that Haruka was left injured and comotose by an unknown driver in a hit-and-run incident. On top of that, he discovers that Haruka had been protecting an infant during the attack. The infant was unharmed, so Kiryu acts as a grandfather as he protects the child and discovers who attacked his daughter by traveling to the last known location of Haruka before she returned to Kamurocho, Onomichi Jingaicho in Hiroshima Prefecture.
During his search in Hiroshima, Kiryu befriends the members of a small yakuza family known led by Toru Hirose. The new characters shine as they are all memorable, especially Hirose himself, who is portrayed fantastically by Takeshi Kitano, the star of the highly influential game show, Takeshi's Castle. The success of Takeshi's Castle led to shows such as Sasuke, also known as Ninja Warrior, and American shows such as Wipeout. Takeshi played a comedic role in his eponymous series, and while Hirose had many comedic moments, the dramatic moments are where his character really shined.
In addition to the main story, it still includes the often hilarious subquests for which the series has become known. It includes all of the expected minigames, from the playable classic Sega arcade games, to Japanese and Western gambling games.
When I was reviewing the Yakuza series, I deliberately skipped over this game because Kiryu had already returned in Yakuza: Like a Dragon at that point, so it was clear his story wasn't over after all. I wanted to wait and see if this game still worked within the series without it being Kiryu's swansong. Now that Kiryu has returned to the series proper in Like a Dragon: Infinite Wealth, the question of whether the story of this game still works in the overall series arc can finally be answered.
Surprisingly, Like a Dragon Gaiden: The Man Who Erased His Name actually made a very strong case for Kiryu's return while actually giving the ending to Yakuza 6 some contextualization while humanizing its protagonist. Kazuma Kiryu has always been depicted as stoic, often to superhuman levels. Pop culture's most popular stoic normal human displaying superhuman strength, Batman. doesn't even hold a candle to Kiryu.
However, Gaiden humanized Kiryu to a level the series had never shown before, and retroactively humanizes Kiryu in the ending of Yakuza 6, actually showing that Kiryu is not an infallible superhuman. This makes the growth of Kiryu from Yakuza 0 to Yakuza 6 work so much better. The ending of Yakuza 6 was controversial when it first released, and Kiryu's return is not universally welcomed, but the story of Yakuza 6 definitely now makes a lot more sense from a story perspective.
Yakuza 6 is a fantastic game, and is a fitting farewell to the classic Yakuza series. It has all of the hallmarks of the series, and the Japanese-only voice over work once again shines. The music is also fantastic, from the game's soundtrack to the always-enjoyable karaoke songs. It isn't perfect, as the reduction of playable characters compared to the most recent games in the series can definitely be felt. However, it is still well worth playing for any Yakuza fan, especially those who enjoyed any of the games in the series before its restructuring as Like a Dragon.
Final verdict:
Update March 10, 2024:
Gylt was released on PlayStation 4 and PlayStation 5, Windows on Steam, plus Xbox One and Xbox Series X/S on July 6, 2023. It will be released for Nintendo Switch on March 14, 2024.
Hello Engineer was released for Nintendo Switch, PlayStation 4, Windows on Steam, and Xbox One on August 17, 2023.
Pac-Man Mega Tunnel Battle: Chomp Champs will be an enhanced port of the Stadia game. According to its website, it will be released on May 2, 2024 for Nintendo Switch, PlayStation 4 and PlayStation 5, Windows on Steam, plus Xbox One.
Unfortunately, it seems that Outcasters, PixelJunk Raiders, and Worm Game will be lost to history. If things do change, I'll update this post.
Original post on February 23, 2023:
Since Google's ill-fated game streaming service shut down on the 18th of January, I thought I'd do a list of the availability of Stadia's exclusive games in the same manner that I listed the Telltale game availability after the collapse of the original Telltale Games.
Gunsport, an action volleyball game by Necrosoft, is available for Windows in an offline version via the Steam beta channel of its sequel, Hyper Gunsport. A video on Twitter shows how to activate the original game.
Gylt, a horror adventure game by Tequila Works, will be coming to multiple platforms in 2023.
Hello Engineer, a racing and vehicle creation game by tinyBuild, will be released on Steam in 2023.
PixelJunk Raiders, a space exploration roguelike by Q-Games, has an unknown future. In an interview with The Verge, the founder and CEO of Q-Games stated intentions to bring Pixeljunk Raiders to other platforms, but a publisher is needed to help with the costs of doing so.
Pac-Man Mega Tunnel Battle, a sixty-four-player battle royal by Heavy Iron Studios, has not had any updates about its future. However, this is Pac-Man we're talking about. I'd be really surprised if Bandai Namco doesn't re-release it in some form at some point in the future.
Outcasters, a multiplayer shooter by Splash Damage, sadly looks like it will be lost to history. Splash Damage tweeted that it would be difficult to port to another platform because its features are too tightly integrated into Stadia's infrastructure.
Worm Game, Google's multiplayer take on the Snake game, was released as a surprise just before the service shutdown. Since this was the game Google used to test the Stadia platform, this one is also likely going to be lost forever.
Luckily the Stadia exclusive game list is short. One game is already available outside of Stadia, two games are coming to one or more platforms soon, two have uncertain futures, and two are likely going to be lost forever. As someone who is involved in video game preservation, those last two hurt.
I'll update this list if anything changes.
I first found out about Dropkick on My Devil!!, also known as Jashin-chan Dropkick, while I was idly watching Hatsune Miku videos on YouTube. I watched all of Dropkick on my Devil!! X, or season three, as Miku appeared in each episode. I didn't like it at first, as the combination of comic gore and cute aesthetics is a bit off-putting. About three episodes into season three, I really started liking the show. Once I reached the end, I went back to season one and watched it from the beginning. Episode one takes place on Halloween, so it's the perfect time to review it.
The episode opens with an exposition about the main premise of the show, in a similar fashion to the first page of the manga. If a human casts a spell to bring a demon to the human realm, the demon can not return to hell until the human casts the return spell or dies. A human witch named Yurine summoned a lamia, or a demon with the top half of a woman and the bottom half of a serpent, named Jashin-chan. The latter wants to return to hell, so she spends her time in the human realm trying to kill the former.
Yurine is extremely quick and strong for a human, so Jashin-chan never succeeds in killing her. Unfortunately for Jashin-chan, Yurine is also a sadist and takes pleasure in enacting brutal punishments with deadly weapons. Jashin-chan has a healing ability that restores her no matter if she is sliced, stabbed, or squished. Jashin-chan also isn't very intelligent, so she never learns her lesson.
After the opening with music alternating between sweet J-pop and heavy metal, which perfectly reflects its contrasting nature of the comic gore and cuteness, the episode throws the viewer right into an adaptation of chapter fifty-nine of the manga. It's weird that the first episode adapts a chapter from the fifth volume of the manga, but it is a scene that has all the main characters. All in all, it's a good introduction to everyone, as, by the end of the opening scene all of the characters are given their characterizations and main motivations.
Yurine has relatives who send her prime cuts of wagyu beef on rare occasions, and Jashin-chan has a real skill at cooking. Other devils join them in eating the meal Jashin-chan prepared. Medusa, a kind ancient Greek gorgon woman. Minos is a minotaur, in that she is part woman and part cow, but she has no problem with eating beef as long as her parents don't know she is doing so.
Jashin-chan also invited Pekora, a fallen angel who lost her halo preventing her from going back to heaven resulting in her becoming destitute and homeless. She feels she is disrespecting her Lord by eating a meal with demons, but she does so anyway because she is so hungry. However, Jashin-chan forgets she invited Pekora and is angry at her for being an angel eating with devils. Yurine threatens Jashin-chan, telling her to be nice. Jashin-chan then makes a big show of being friendly to the fallen angel, however, she gives her no beef in her sukiyaki. This angers the group, leading Jashin-chan to eat all the beef, followed by a brutal slicing punishment on Jashin-chan from Yurine.
That's the whole premise of the show. The rest of the episode expands on that, with an adaptation of the fifth and sixth chapters of the manga, showing that Medusa wears a bag over her head to prevent turning people to stone by looking at them, but doesn't affect Yurine due to a bracelet she wears that prevents petrification. Medusa also spends a lot of money on Jashin-chan, further angering Yurine due to Jashin-chan's selfishness. The episode ends with an adaptation of chapter twelve of the manga, which showcases another failed murder attempt by Jashin-chan followed by a gory punishment by Yurine.
The comedy is pretty funny, and they break the fourth wall in that they know they are in an anime. Even though it adapts the stories from the manga, the anime has fun with the animated medium, even going so far as playing around with mosaic blur over Jashin-chan's injuries. There are also funny interludes with exposition by a busty male demon and a dog-like hell beast.
One of the best parts of this anime is the voice acting. This is especially true of Aina Suzuki, who really gets to have fun with the over-the-top antics of Jashin-chan. She has a cute anime-style voice, complete with ending some sentences with desu-no. This can be compared to Valley girls ending their sentences with "right?". But she also turns on a dime to angriness, and her cutesy veneer is dropped.
Dropkick on My Devil!! definitely is a show that is not for anyone. If you are put off by violence and gore, it's best to give this one a pass. If you're willing to look past that, you just might enjoy the show. The characters are interesting, the voice acting is great, the art style is cute when it's not gory, and the translation into English through subtitles is top-notch. This episode's plot is pretty thin, but as the first episode, it gives a great look into this strange world of angels, demons, and humans.
Final Verdict:Futurama has returned from the dead yet again with the broadcast of the first episode of the eleventh broadcast season, or the eighth production season. Yes, the season numbering is weird, but blame the Cartoon Network executives for that because that channel's two seasons of Futurama were broken up into four parts.
I'll admit that I'm a huge Futurama fan. I briefly changed my screen name from Lopantu to Bender followed by Flexo, both in 2000, before settling with MetaFox the next year when I got my first arcade cabinet with a Seta game of the same name. I'm not the rose-tinted glasses type though, so I was cautiously optimistic about this episode but prepared for a possible letdown since the series has been off the air for 10 years. That's a long break, so I wasn't sure if the showrunners would be able to get back in the groove right off the bat.
I didn't have to worry, as it managed to hit the mark with its usual dose of satire relating to today's world, as well as jabs at itself and the executives who cancelled it. The episode starts off right where the series ended in 2013 with "Meanwhile". The Planet Express crew learn that the time-stopping shenanigans of that episode messed with time itself, pulling the world ten years forward into 3023. Fry is distraught that he has been in the future for twenty-three years but has nothing to show for it. He decides to watch every television show ever made. This leads to some funny names of shows that are parodies of popular television and streaming shows, callbacks to previous shows-within a show such as their Twilight Zone parody The Scary Door, the Emeril Lagasse parody Elsar, and a surprisingly funny jab at Netflix's anti-trans comedy specials from Ricky Gervais and Dave Chapelle.
The episode truly kicks off when Fry decides to binge all of the episodes of All My Circuits, Futurama's parody of soap operas which is more like a telenovela parody today as those are the only variation of shows of that type that remain popular. The professor puts Fry into a binging suit, while the rest of the staff gets All My Circuits renewed so that Fry can keep watching episodes before he runs out of them.
I'm not going to say more, as it's definitely worth watching. So far Futurama has all of the humor and wit of its predecessor, reminding me a lot of the humor of the Comedy Central run of the show after the release of four films which ran for four years from 2009 to 2013. The voice actors step into their roles perfectly as well. This aspect of the show especially feels like it never went off the air in the first place. Time will tell if the series retains the heart of the show as well, but as Bender says about Futurama is definitely true. It's back, baby!
Final Verdict: