Open World Turn-Based Role-Playing Game Review: Like a Dragon: Infinite Wealth

Like a Dragon: Infinite Wealth brings Ichiban Kasuga and Kazuma Kiryu together as protagonists for the first time. Ryu Ga Gotoku Studio has also brought in multiple move sets and the occasional freedom of motion for Kiryu from his action role playing games. It blended them into the turn-based RPG style of Ichiban Kasuga's games. Ryu Ga Gotoku  Studio manages to pull this off, despite the odds.

Infinite Wealth has dual storylines that merge into each other, in a similar fashion of other multi-protagonist games in the series. Ichiban Kasuga discovers his birth mother lives in Hawaii and travels there to meet her. While there, he gets swindled and ends up naked on the beaches of Honolulu. Meanwhile, Kiryu is still trying to be incognito as a spy while he is in Hawaii on a mission for the Daidoji, a faction that was explored in Like a Dragon: The Man Who Erased His Name.

This is the first game in the series that retains all of the playable characters from the previous game, save for Eri as she was modeled and named after the actor who protrayed the character as a result of a contest. The returning characters are split between the two leads. Kasuga's team has Koichi Adachi the former detective and Tianyou Zhao, the chef and former head of a criminal organization named the Yokohama Liumang. Kiryu's team has Saeko Mukoda, the owner of a cabaret club, Joon-gi Han, the man who had surgery to look like the former leader of the Liumang, and Yu Namba the former nurse.

Both teams also contain characters that are new to the series or playable for the first time. Kasuga's team has Eric Tomizawa the taxi driver and Chitose Fujinomiya the housekeeper. Kiryu's team has Seonhee, the leader of the Geomijul and Yokohama Liumang. She is a character who had a minor role in Yakuza: Like a Dragon. The total number of playable characters is eight, the number of the game in Japan (Ryu Ga Gotoku 8). It is also the number which is reflected by the infinity sign, which resembles the number 8. This lines up with other games in the series as Yakuza 4 had four playable characters, Yakuza 5 had five, and Yakuza: Like a Dragon (Ryu Ga Gotoku 7) had seven.

Infinite Wealth continues the theme of Kasuga imagining enemies to be characters in an RPG, and this quirk is also now given to Kiryu in his chapters of the game. The game sets up a plausible reason for Kiryu to experience these hallucinations, and continues showcasing Kasuga's naivety and childishness which explains his.

The role-playing mechanics continue to be enjoyable. One new feature of the game improves the mechanics so much that I greatly missed them when I started replaying Yakuza: Like a Dragon. The playable characters now can move freely within the circle around them and can also now pick up items such as bicycles to use as weapons. The latter occurred in the previous game automatically only when the character was right next to an object. Kiryu also gets two playing styles, his Dragon of Dojima and beast styles from previous games. This does a lot to better connect these games to its action-RPG predecessors.

Kasuga and Kiryu also gain a bar which allows them to pull off a special move that deals heavy damage on an enemy. Kasuga uses his entire team to land a hard hit against every enemy, while Kiryu gets a limited-time ability to be free moving where he can land hits just like he would in an action-RPG game.

The music is fantastic, as usual. This game is also chock full of karaoke songs, including returning songs from Like a Dragon as well as new songs sung by both Kiryu and Kasuga as well as their teammates. The amazing thing is just how many Kiryu songs we get here, with tunes from games all across Kiryu's appearances, from Yakuza 0 to Yakuza 6: The Song of Life.

The game also includes compact discs that can be purchased or won from many of the locations and minigames. These can be played in bar jukeboxes, as usual. However, this game also includes a music player which can be sorted into a playlist in bars and on the smartphone menu. They then can be played at any time by activating them with the play button. It is great to hear Yakuza 0 songs playing while running across Honolulu or Ijincho, at least until they are cut off by substories or street fights. Thankfully, after these events end, the music player starts up right where it stopped. 

Sega arcade games return, including the UFO Catcher 8 Second crane machine, Virtua Fighter 3tb, and Get Bass: Sega Bass Fishing. It also includes games developed by Sega AM11, Ryu Ga Gotoku Studio's first form. The first is Virtua Fighter 3tb. The second, and final, Sega AM11 game is SpikeOut: Final Edition. This marks the first time it was released on a platform other than the original arcade release.

The substories are as bonkers as ever, especially two involving parodies of popular Nintendo games. Sugimon, which is an index of enemies encountered in whacked-out forms as supposedly imagined by the protagonists, is expanded from the last game into a full turn-based fighting game. The second is the most ambitious minigame Ryu Ga Gotoku Studio has ever created, Dondoko Island. It is a full-fledged Animal Crossing style game, complete upgradable houses and places for the visitors to sleep. The objects that can be placed around the island contain the usual tables and chairs as well as, surprisingly, buildings from Kamurocho and other locations across the world of the series. 

Dondoko Island also includes famous green and red Japanese mascots, Gachapin and Mukku, as the mascots for the resort on the island. They are included in the game for the fiftieth anniversary of their initial appearance. The were initially characters on the 1973 children's television series which aired for 20 years, Hirake! Ponkikki, or Begin! Ponkikki as a literal translation into English. These characters appeared in later Fuji TV television series and radio programs, making them instantly recognizable to Japanese audiences. However, even though I knew nothing about them before the release of this game, I found that they worked as characters in the usually weird substories. Their announcements over the loudspeaker were not translated and their repetition became tiresome after a while. Thankfully, these announcements can be muted.

The above parodies are among the best minigames the series creators have ever produced, and can easily provide hours of play when not experiencing the stories of the main game and substories.

Like a Dragon: Infinite Wealth is arguably the best game in the entire series, although some of its story beats don't hit as hard if you haven't played Yakuza: Like a Dragon and Like a Dragon Gaiden: The Man Who Erased His Name. Some of Kiryu's substories also are better experienced if you played the games from the Kiryu Saga, which runs from Yakuza 0 to Yakuza 6: The Song of Life. However, even if you haven't played these games, it could still be enjoyable. The story is engaging, and if veering off from the main game, enjoyment can be had in the Nintendo parody substories alone.

Final Verdict:

5 out of 5

Like a Dragon Gaiden: The Man Who Erased His Name Review

Pirate Yakuza in Hawaii Review Coming Soon

Open World Action-Adventure Review: Like a Dragon Gaiden: The Man Who Erased His Name

Update April 3, 2025: I mentioned that Gaiden included Flicky as the first release of a Sega-1000 game in North America. However, I neglected to note the inclusion of a game developed by Ryu Ga Gotoku Studio's first form, Sega AM11, which was an off-shoot from Sega AM2.  This game was Daytona USA 2: Power Edition. which was renamed Sega Racing Classic 2 to match the name of 2009 remake of Daytona USA. It is also notable as it's the first time the game was ever released on a platform other than the original arcade release.

Like a Dragon Gaiden: The Man Who Erased His Name is an experimental spin-off of the Like a Dragon series. It brings back former protagonist Kazuma Kiryu as the playable character as well as the action role-playing game play for which the series was known prior to  . However, it also blends in new game play features while delivering a condensed, yet still enjoyable, game play experience.

The conception for the Gaiden games apparently came from The Kaito Files, the sidestory that was downloadable content for Lost Judgment. Like a Dragon Gaiden: The Man Who Erased His Name is roughly the same size as The Kaito Files. Like the latter, it focuses on a character other than the current main protagonist of the series. It feels weird to refer to the former series protagonist Kiryu in such a manner, but he was relegated to cameo status in Yakuza: Like a Dragon, the game in which this game acts as a side story.

The game takes place after the end of Yakuza 6 and continues into the story of Yakuza: Like a Dragon. As the title suggests, Kiryu has erased his name and now acts as a secret agent of sorts for the mysterious Daidoji faction. They are a powerful organization that has its tendrils in both the legitimate political world as well as the illicit yakuza underground.

Kiryu tries to stay hidden as the secret agent Joryu, while being sent on missions for the Daidoji. He was given training for his new role, as he now has a secret agent fighting style in addition to his usual Dragon of Dojima fighting style. With these new abilities come an interesting spy gadget that brings changes in the way the game is played.

Joryu is given a thin line that he can use to pull enemies to him as well as to collect hard to reach items in the game world. This spider web-style gadget takes cues from the Insomiac Spider-Man games, allowing Joryu to have the quick Batman: Arkham style combat and surprise web attacks from the aforementioned Spider-Man titles. He is also given more gadgets, such as drones that can attack enemies in addition to his street-level fighting.

The game introduces a system that gives Joryu points based on missions he completed that were given to him by a mysterious woman that serves as a champion for the homeless. These points can be used to purchase new abilities, as well as to expand the stock available in the store.

Joryu is soon given an object that serves as an invitation to a secret, hidden city. Here, he can compete in the arena alone or with team members that he can recruit with cash earned from the fights or through various favors requested from potential recruits. Through downloadable content, some of Kiryu's most trusted companions can also fight for Joryu in the arena, including Goro Majima, Taiga Saejima, and Daigo Dojima, the sixth chairman of the Tojo Clan. As any fighter can also act as the leader, these characters are also optionally controllable, making it the first time in the series that Daigo has ever been a playable character.

The game length is extended through the usual often humorous side quests, as well as mini-games such as gambling and playable classic Sega games. This includes Sega arcade games, as well as the Sega Master System games from Lost Judgment. It also includes the Sega SG-1000 version of Flicky, which marks the first time that a game from that system has ever officially been released in North America. Pocket Circuit slot car racing also returns from Yakuza 0, however it is expanded here with harder courses that can be unlocked by completing competitions and winning one-on-one races with players from all around both Sotenbori and the secret city.

Like a Dragon Gaiden: The Man Who Erased His Name is a successful experiment for Ryu Ga Gotoku Studio. While it is a bit of a shame that the Judgment games appear to have been superseded by the Like a Dragon Gaiden games, it's still a lot of fun to explore new and familiar areas with action RPG combat. While I love the turn-based combat of the Kasuga-fronted games, the beat 'em up brawls of the original games will always remain satisfying. With an immersive story, fun new play mechanics with the spy tools, and the usual fantastic voice acting and music, the first Like a Dragon Gaiden game is a grand old return to style for the series.

Final verdict:

4 out of 5

Lost Judgment Review

Like a Dragon: Infinite Wealth Review

Open World Action-Adventure Review: Yakuza 6: The Song of Life

Yakuza 6: The Song of Life was the conclusion of the Kiryu saga, and the last time the series used the Yakuza name in the West without using its Japanese name, Like a Dragon.  It is also the last mainline game in the series to be an action role-playing game, with the series switching to turn-based role-playing game mechanics  in succeeding entries. As a send off to both the character of Kazuma Kiryu and the game play of which the series has become known, it had large shoes to fill. It managed to do so, for the most part.

Ryu Ga Gotoku Studio released Yakuza 6 with only one protagonist. With Yakuza 4 containing four playable characters, Yakuza 5 including five, and even Yakuza 7 containing seven, it seemed odd that Yakuza 6 would only include Kiryu. However, the staff wanted to focus solely on Kiryu to give his current story some closure. Even with the lack of playable versions of the fan favorite characters that were playable in previous games such as Goro Majima, Taigo Saejima, and Shun Akiyama, the game still gave its lone protagonist a lot to do.

In Yakuza 6, Kiryu and his adopted daughter Haruka deal with the fallout caused by their actions in Yakuza 5. Kiryu discovers that Haruka was left injured and comotose by an unknown driver in a hit-and-run incident. On top of that, he discovers that Haruka had been protecting an infant during the attack. The infant was unharmed, so Kiryu acts as a grandfather as he protects the child and discovers who attacked his daughter by traveling to the last known location of Haruka before she returned to Kamurocho, Onomichi Jingaicho in Hiroshima Prefecture.

During his search in Hiroshima, Kiryu befriends the members of a small yakuza family known led by Toru Hirose. The new characters shine as they are all memorable, especially Hirose himself, who is portrayed fantastically by Takeshi Kitano, the star of the highly influential game show, Takeshi's Castle. The success of Takeshi's Castle led to shows such as Sasuke, also known as Ninja Warrior, and American shows such as Wipeout. Takeshi played a comedic role in his eponymous series, and while Hirose had many comedic moments, the dramatic moments are where his character really shined.

In addition to the main story, it still includes the often hilarious subquests for which the series has become known. It includes all of the expected minigames, from the playable classic Sega arcade games, to Japanese and Western gambling games.

When I was reviewing the Yakuza series, I deliberately skipped over this game because Kiryu had already returned in Yakuza: Like a Dragon at that point, so it was clear his story wasn't over after all. I wanted to wait and see if this game still worked within the series without it being Kiryu's swansong. Now that Kiryu has returned to the series proper in Like a Dragon: Infinite Wealth, the question of whether the story of this game still works in the overall series arc can finally be answered.

Surprisingly, Like a Dragon Gaiden: The Man Who Erased His Name actually made a very strong case for Kiryu's return while actually giving the ending to Yakuza 6 some contextualization while humanizing its protagonist. Kazuma Kiryu has always been depicted as stoic, often to superhuman levels. Pop culture's most popular stoic normal human displaying superhuman strength, Batman. doesn't even hold a candle to Kiryu.

However, Gaiden humanized Kiryu to a level the series had never shown before, and retroactively humanizes Kiryu in the ending of Yakuza 6, actually showing that Kiryu is not an infallible superhuman. This makes the growth of Kiryu from Yakuza 0 to Yakuza 6 work so much better. The ending of Yakuza 6 was controversial when it first released, and Kiryu's return is not universally welcomed, but the story of Yakuza 6 definitely now makes a lot more sense from a story perspective.

Yakuza 6 is a fantastic game, and is a fitting farewell to the classic Yakuza series. It has all of the hallmarks of the series, and the Japanese-only voice over work once again shines. The music is also fantastic, from the game's soundtrack to the always-enjoyable karaoke songs. It isn't perfect, as the reduction of playable characters compared to the most recent games in the series can definitely be felt. However, it is still well worth playing for any Yakuza fan, especially those who enjoyed any of the games in the series before its restructuring as Like a Dragon.

Final verdict:

4 out of 5

Yakuza 5 Review

Judgment Review

Google Stadia Exclusives Update

Update March 10, 2024: 

Gylt was released on PlayStation 4 and PlayStation 5, Windows on Steam, plus Xbox One and Xbox Series X/S on July 6, 2023. It will be released for Nintendo Switch on March 14, 2024.

Hello Engineer was released for Nintendo Switch, PlayStation 4, Windows on Steam, and Xbox One on August 17, 2023.

Pac-Man Mega Tunnel Battle: Chomp Champs will be an enhanced port of the Stadia game. According to its website, it will be released on May 2, 2024 for Nintendo Switch, PlayStation 4 and PlayStation 5, Windows on Steam, plus Xbox One.

Unfortunately, it seems that Outcasters, PixelJunk Raiders, and Worm Game will be lost to history. If things do change, I'll update this post.

---

Original post on February 23, 2023:

Since Google's ill-fated game streaming service shut down on the 18th of January, I thought I'd do a list of the availability of Stadia's exclusive games in the same manner that I listed the Telltale game availability after the collapse of the original Telltale Games.

Gunsport, an action volleyball game by Necrosoft, is available for Windows in an offline version via the Steam beta channel of its sequel, Hyper Gunsport. A video on Twitter shows how to activate the original game.

Gylt, a horror adventure game by Tequila Works, will be coming to multiple platforms in 2023.

Hello Engineer, a racing and vehicle creation game by tinyBuild, will be released on Steam in 2023. 

PixelJunk Raiders, a space exploration roguelike by Q-Games, has an unknown future. In an interview with The Verge, the founder and CEO of Q-Games stated intentions to bring Pixeljunk Raiders to other platforms, but a publisher is needed to help with the costs of doing so.

Pac-Man Mega Tunnel Battle, a sixty-four-player battle royal by Heavy Iron Studios, has not had any updates about its future. However, this is Pac-Man we're talking about. I'd be really surprised if Bandai Namco doesn't re-release it in some form at some point in the future. 

Outcasters, a multiplayer shooter by Splash Damage, sadly looks like it will be lost to history. Splash Damage tweeted that it would be difficult to port to another platform because its features are too tightly integrated into Stadia's infrastructure.

Worm Game, Google's multiplayer take on the Snake game, was released as a surprise just before the service shutdown. Since this was the game Google used to test the Stadia platform, this one is also likely going to be lost forever.

Luckily the Stadia exclusive game list is short. One game is already available outside of Stadia, two games are coming to one or more platforms soon, two have uncertain futures, and two are likely going to be lost forever. As someone who is involved in video game preservation, those last two hurt. 

I'll update this list if anything changes.

Comedy Anime Television Episode Review: Dropkick on My Devil!! - Season 1, Episode 1

I first found out about Dropkick on My Devil!!, also known as Jashin-chan Dropkick, while I was idly watching Hatsune Miku videos on YouTube. I watched all of Dropkick on my Devil!! X, or season three, as Miku appeared in each episode. I didn't like it at first, as the combination of comic gore and cute aesthetics is a bit off-putting. About three episodes into season three, I really started liking the show. Once I reached the end, I went back to season one and watched it from the beginning. Episode one takes place on Halloween, so it's the perfect time to review it. 

The episode opens with an exposition about the main premise of the show, in a similar fashion to the first page of the manga. If a human casts a spell to bring a demon to the human realm, the demon can not return to hell until the human casts the return spell or dies. A human witch named Yurine summoned a lamia, or a demon with the top half of a woman and the bottom half of a serpent, named Jashin-chan. The latter wants to return to hell, so she spends her time in the human realm trying to kill the former.

Yurine is extremely quick and strong for a human, so Jashin-chan never succeeds in killing her. Unfortunately for Jashin-chan, Yurine is also a sadist and takes pleasure in enacting brutal punishments with deadly weapons. Jashin-chan has a healing ability that restores her no matter if she is sliced, stabbed, or squished. Jashin-chan also isn't very intelligent, so she never learns her lesson.

After the opening with music alternating between sweet J-pop and heavy metal, which perfectly reflects its contrasting nature of the comic gore and cuteness, the episode throws the viewer right into an adaptation of chapter fifty-nine of the manga. It's weird that the first episode adapts a chapter from the fifth volume of the manga, but it is a scene that has all the main characters. All in all, it's a good introduction to everyone, as, by the end of the opening scene all of the characters are given their characterizations and main motivations.

Yurine has relatives who send her prime cuts of wagyu beef on rare occasions, and Jashin-chan has a real skill at cooking. Other devils join them in eating the meal Jashin-chan prepared. Medusa, a kind ancient Greek gorgon woman. Minos is a minotaur, in that she is part woman and part cow, but she has no problem with eating beef as long as her parents don't know she is doing so. 

Jashin-chan also invited Pekora, a fallen angel who lost her halo preventing her from going back to heaven resulting in her becoming destitute and homeless. She feels she is disrespecting her Lord by eating a meal with demons, but she does so anyway because she is so hungry. However, Jashin-chan forgets she invited Pekora and is angry at her for being an angel eating with devils. Yurine threatens Jashin-chan, telling her to be nice. Jashin-chan then makes a big show of being friendly to the fallen angel, however, she gives her no beef in her sukiyaki. This angers the group, leading Jashin-chan to eat all the beef, followed by a brutal slicing punishment on Jashin-chan from Yurine.

That's the whole premise of the show. The rest of the episode expands on that, with an adaptation of the fifth and sixth chapters of the manga, showing that Medusa wears a bag over her head to prevent turning people to stone by looking at them, but doesn't affect Yurine due to a bracelet she wears that prevents petrification. Medusa also spends a lot of money on Jashin-chan, further angering Yurine due to Jashin-chan's selfishness. The episode ends with an adaptation of chapter twelve of the manga, which showcases another failed murder attempt by Jashin-chan followed by a gory punishment by Yurine. 

The comedy is pretty funny, and they break the fourth wall in that they know they are in an anime. Even though it adapts the stories from the manga, the anime has fun with the animated medium, even going so far as playing around with mosaic blur over Jashin-chan's injuries. There are also funny interludes with exposition by a busty male demon and a dog-like hell beast.

One of the best parts of this anime is the voice acting. This is especially true of Aina Suzuki, who really gets to have fun with the over-the-top antics of Jashin-chan. She has a cute anime-style voice, complete with ending some sentences with desu-no. This can be compared to Valley girls ending their sentences with "right?". But she also turns on a dime to angriness, and her cutesy veneer is dropped.

Dropkick on My Devil!! definitely is a show that is not for anyone. If you are put off by violence and gore, it's best to give this one a pass. If you're willing to look past that, you just might enjoy the show. The characters are interesting, the voice acting is great, the art style is cute when it's not gory, and the translation into English through subtitles is top-notch. This episode's plot is pretty thin, but as the first episode, it gives a great look into this strange world of angels, demons, and humans.

Final Verdict:
3½ out of 5

Comedy Science Fiction Animated Web Series Episode Review: Futurama - The Impossible Stream

Futurama has returned from the dead yet again with the broadcast of the first episode of the eleventh broadcast season, or the eighth production season. Yes, the season numbering is weird, but blame the Cartoon Network executives for that because that channel's two seasons of Futurama were broken up into four parts.

I'll admit that I'm a huge Futurama fan. I briefly changed my screen name from Lopantu to Bender followed by Flexo, both in 2000, before settling with MetaFox the next year when I got my first arcade cabinet with a Seta game of the same name. I'm not the rose-tinted glasses type though, so I was cautiously optimistic about this episode but prepared for a possible letdown since the series has been off the air for 10 years. That's a long break, so I wasn't sure if the showrunners would be able to get back in the groove right off the bat. 

I didn't have to worry, as it managed to hit the mark with its usual dose of satire relating to today's world, as well as jabs at itself and the executives who cancelled it. The episode starts off right where the series ended in 2013 with "Meanwhile". The Planet Express crew learn that the time-stopping shenanigans of that episode messed with time itself, pulling the world ten years forward into 3023. Fry is distraught that he has been in the future for twenty-three years but has nothing to show for it. He decides to watch every television show ever made. This leads to some funny names of shows that are parodies of popular television and streaming shows, callbacks to previous shows-within a show such as their Twilight Zone parody The Scary Door, the Emeril Lagasse parody Elsar, and a surprisingly funny jab at Netflix's anti-trans comedy specials from Ricky Gervais and Dave Chapelle.

The episode truly kicks off when Fry decides to binge all of the episodes of All My Circuits, Futurama's parody of soap operas which is more like a telenovela parody today as those are the only variation of shows of that type that remain popular. The professor puts Fry into a binging suit, while the rest of the staff gets All My Circuits renewed so that Fry can keep watching episodes before he runs out of them.

I'm not going to say more, as it's definitely worth watching. So far Futurama has all of the humor and wit of its predecessor, reminding me a lot of the humor of the Comedy Central run of the show after the release of four films which ran for four years from 2009 to 2013. The voice actors step into their roles perfectly as well. This aspect of the show especially feels like it never went off the air in the first place. Time will tell if the series retains the heart of the show as well, but as Bender says about Futurama is definitely true. It's back, baby!

Final Verdict:
4 out of 5

Open World Action-Adventure DLC Review: Sea of Thieves - The Legend of Monkey Island: The Journey to Mêlée Island

The Journey to Mêlée Island, the first chapter of the free Legend of Monkey Island Tall Tale expansion for Sea of Thieves, is available now. It aims to blend the open-world action-adventure pirate swashbuckler with the inventory-based adventure mechanics of the Monkey Island series.

The story fits snugly in between Curse of Monkey Island and Escape from Monkey Island. The Pirate Lord invited Guybrush Threepwood and Elaine Marley Threepwood to honeymoon in the Sea of Thieves. However, there is a curse that makes Guybrush, and presumably Elaine in future chapters, relive memories of past adventures that create a skewed version of whatever island is being remembered.

This makes it possible for pirates from the Sea of Thieves to physically travel to Mêlée Island. Because of this, Kate Capsize and the Pirate Lord want to hire a pirate to free the honeymooners from their curse. The Pirate Lord wants to rescue them, while Kate wants revenge on Guybrush because he switched his face for hers on a wanted poster which caused her to be imprisoned on Phatt Island.

Most of the people on the island appear to be from Guybrush's memories because the SCUMM Bar patrons the chef, the lookout, the shady merchant, the shopkeeper, the ghost pirates, Otis the prisoner, and the three loitering pirates all appeared in Guybrush's first adventure. The presence of Murray could be from the skewed memories due to the curse. I'm glad the latter was included as I really loved Murray in this chapter, especially after he gets what he wants. The animators deserve a raise for Murray's animations.

One character that doesn't belong is a cursed skull from A Pirate's Life Tall Tale who is known as the Cursed Captain. He appears to have actually made it to Mêlée Island but got stuck up on the wall of the SCUMM Bar by the three important pirates. There's a lot of potential for story there and I hope Rare doesn't squander it in future chapters.

I thought the puzzles were fun. I liked how they integrated the Sea of Thieves mechanics into the puzzles too. The sword, tankard, and lantern all were used fantastically. The crane puzzle, especially, was great. It was a head-scratcher, especially when the crane wouldn't lift it. I was stuck for a while before I jumped into the water to see what was going on and saw the solution. That puzzle was something that felt like it could have been in the series proper.

The voices used the voice actors from The Secret of Monkey Island Special Edition or Terrible Toybox's Return to Monkey Island for those that weren't in the LucasArts joint. They were just as excellent here as they were in the preceding games. The music was also used well, with the Monkey Island theme popping up as you approached Melee, the familiar SCUMM Bar music that faded out in volume as you got further away from the bar, and Walt the skeleton pirate playing the skeleton ship theme on his violin. Bonus points for the name Walt, too.

There were some aspects that didn't work as well, however. Hunting for pieces of eight was tedious and not fun at all. At the end of the chapter, I couldn't find all of the money needed for the optional content, so I just gave up and ended the chapter four pieces of eight short. The walk up and down the hill to get to the lookout and back also wasn't fun, and he didn't have enough pieces of eight for the trouble. I kept jumping off early on the path down and losing health. Getting hurt was worth it though, because it cut down on all the tedious walking.

The Journey to Mêlée Island was a good start to the Sea of Thieves Legend of Monkey Island expansion. The story, voice acting, music, and puzzles were great. I really hope the next chapter ditches the money collecting and long walks because it felt like artificially extending the time required to finish the chapter. If the issues with this chapter are sorted in future chapters, we could potentially be in for a great time.

Final Verdict:
3½ out of 5